THE BEST SIDE OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

The best Side of Charlie Chaplin's "The Circus" (1928)

The Buster Keaton character has his feet on the ground. He would be embarrassed to parade his goodness. He makes use of ingenuity as an alternative to divinity. Chaplin’s untidy appreciate everyday living suggests he felt he deserved whomever he wanted; Keaton in private lifestyle seems to happen to be melancholic as a result of alcoholism, but a

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